Yamaha YC88 YC Stage Keyboard Instruction Manual
YC88 YC73 YC61
SUPPLEMENTARY MANUAL
New Functions in YC Version 1.20
The following functions have been added to the YC88 / YC73 / YC61 due to the firmware version upgrade. This manual describes additions and changes with respect to the Owner’s Manual that came with your instrument.
- A new rotary speaker effect has been added.
- New FM organ types have been added.
- A new setting “FM Color Type” has been added to the “Drawbar Color” setting.
- Three EQs have been added to the effect types.
- A new setting “Touch Sensitivity” has been added to the “SETTINGS”.
- The locations in the menu of “EG Control” and “Filter Control” have been changed.
- New Live Set Sounds have been added.
- New Voices have been added.
New Rotary Speaker Effect
A new rotary speaker effect, “Studio,” has been added. In addition, the conventional Rtr A and Rtr B have been renamed to “Classic” and “Overdrive,” respectively.
YC88/YC73/YC61 V1.20
Effect | Explanation |
Studio | Rotary speaker with three-dimensional effect and greater sense of motion. |
Classic | Standard rotary speaker for organs. |
Overdrive | Rotary speaker with transistor preamplifier simulation and strong distortion. |
Rotary speaker effect settings
[SETTINGS] button → [Sound] → [Rotary Speaker] → [Type]
Added Rotary Speaker Type to SETTINGS.
Rotary Speaker Type can be set independently for Rtr A and Rtr B.
Rotary Speaker Type
Function name | Description |
Slot A |
Sets the rotary speaker effect assigned for the Rtr A-type. Settings: Studio, Classic, Overdrive Initial setting: Studio |
Slot B |
Sets the rotary speaker effect assigned for the Rtr B type. Settings: Studio, Classic, Overdrive Initial setting: Classic |
Selection of rotary speaker effects
If you select Rtr A or Rtr B with the 48
Effect type switch button in the SPEAKER/AMP section, you can apply the rotary speaker effect set in “Rotary speaker effect settings” above.
NOTE
When you select the Rtr A or Rtr B type in the SPEAKER/AMP section, you can use the [EXIT] + [TONE] knobs to directly change the “Rotary speaker effect settings” for the selected type.
New Organ Types
New FM organ types (F4 to F6
) have been added, making now a total of six FM organ types.
NOTE
The operator numbers for each algorithm represent the corresponding drawbars. Note that for the F4 to F6 types, the numbers (feet) displayed on the drawbar do not match the pitch of the sound.
Additional Parameters for FM Organ Types
Added FM Color Type to SETTINGS—Drawbar Color.
The new FM Organ type drawbars add two attributes; in addition to the carriers, the modulators and feedback are also included. For these types of organs, the carrier will be the same color as the color set in Upper/Lower, but the modulators and feedback loops are divided into colors related to the carrier color.
Drawbar Color
Function name | Description |
Upper | Sets the colors of the drawbar LEDs. These can be set independently for Upper and Lower. Settings: White, Red, Yellow, Green, Cyan, Blue, Magenta Initial setting: Upper = White, Lower = Red |
Lower | |
FM Color Type | Sets the color combination of the drawbar LEDs. It can be divided into up to 3 colors according to the attributes of the carrier, modulator, and feedback. Settings: 1 Color: Carriers, modulators and feedback are all the same color 2 Colors: Two different colors; one for the carriers and one for the others (modulator, feedback) 3 Colors: Carriers, modulators and feedback are all different colors Initial setting: 3 Colors NOTE H type organs and F1 to F3 FM organs always have the colors set for Upper and Lower regardless of the FM Color Type. |
Comparison of old and new tree diagrams
・V1.00, V1.10 Settings └ Drawbar Color ├ Upper └ Lower |
・V1.20 Settings └ Drawbar Color ├ Upper ├ Lower └ FM Color Type |
New EQ Type
YC88/YC73/YC61 V1.20
Category | Type name | Express | Description | Stereo/Mono |
EQ | Tone Control |
|
Shelving equalizer. Use the [DEPTH] knob to adjust the low band, and the [RATE] knob to adjust the high band. | Stereo |
1 Band EQ Narrow | Peaking equalizer with narrow Q (bandwidth). Use the [DEPTH] knob to adjust the gain, and the [RATE] knob to adjust the center frequency. | Stereo | ||
1 Band EQ Wide | Peaking equalizer with wide Q (bandwidth). Use the [DEPTH] knob to adjust the gain, and the [RATE] knob to adjust the center frequency. | Stereo |
New Touch Sensitivity Parameter
[SETTINGS] button → [Sound] → Select the voice section* to be set → [Touch Sensitivity] (* Key A Settings / Key B Settings)
Touch Sensitivity has been added to SETTINGS, and can be set for the Voice sections of Key A and Key B.
Touch Sensitivity
Function name | Description |
Depth | This parameter can be used to select how the velocities with which keys are played will affect the velocities actually output to the tone generator for the current Voice section. As shown in the graph below, the larger the value set, the greater the degree to which output velocities vary in response to changes in the playing velocity (i.e., the steeper the slope of the graph). If a value of 0 is set, the output velocities will be totally unaffected by different playing velocities, resulting in a response similar to that of an organ, where playing strength has practically no effect on the sound produced.
Settings: 0 – 127 |
Function name | Description |
Offset | This parameter can be used to raise or lower all velocities output to the tone generator for the current Voice section. As shown in the graphs, 64 is subtracted from the value set here and the result is doubled to determine the actual amount by which the output velocities are adjusted. However, if the resultant output velocity is less than 1, a value of 1 is used; similarly, if the resultant output velocity is greater than 127, a value of 127 is used.
Settings: 0 – 127 Initial setting: 64 |
Voice sections where Touch Sensitivity has been changed from the default are displayed with a locked icon.
Menu Layout Changes for EG Control and Filter Control
Comparison of old and new tree diagrams
New Live Set Sounds
YC88/YC73/YC61 V1.20
Page | No | Name | Split Point | Section | Voice Name | MSB | LSB | PC |
12 | 1 | Modern Jazz | G2 | Organ | H1 | 63 | 11 | 1 |
Key A | – | |||||||
Key B | – | |||||||
12 | 2 | Soft Hymn | G2 | Organ | H1 | 63 | 11 | 2 |
Key A | – | |||||||
Key B | – | |||||||
12 | 3 | Prog Organ | G2 | Organ | H3 | 63 | 11 | 3 |
Key A | – | |||||||
Key B | – | |||||||
12 | 4 | Overdriven Org | G2 | Organ | H2 | 63 | 11 | 4 |
Key A | – | |||||||
Key B | – | |||||||
12 | 5 | Swish Organ | G2 | Organ | H1 | 63 | 11 | 5 |
Key A | – | |||||||
Key B | – | |||||||
12 | 6 | FM Organ | G2 | Organ | F6 | 63 | 11 | 6 |
Key A | – | |||||||
Key B | – | |||||||
12 | 7 | Bell Organ | G2 | Organ | F5 | 63 | 11 | 7 |
Key A | – | |||||||
Key B | – | |||||||
12 | 8 | Digitorgan | G2 | Organ | F4 | 63 | 11 | 8 |
Key A | – | |||||||
Key B | – | |||||||
13 | 1 | Violin Layer | G2 | Organ | H3 | 63 | 12 | 1 |
Key A | Violin | |||||||
Key B | Slow Strings | |||||||
13 | 2 | Hollow Drawbars | C3 | Organ | H1 | 63 | 12 | 2 |
Key A | – | |||||||
Key B | – | |||||||
13 | 3 | Keys of Rock | G2 | Organ | H3 | 63 | 12 | 3 |
Key A | Nashville C3 | |||||||
Key B | Wr Wide | |||||||
13 | 4 | Rotary Piano | G2 | Organ | – | 63 | 12 | 4 |
Key A | U1 | |||||||
Key B | C7 | |||||||
13 | 5 | At the Pub | G2 | Organ | F4 | 63 | 12 | 5 |
Key A | Musette | |||||||
Key B | – | |||||||
13 | 6 | Hidden Door | G2 | Organ | F5 | 63 | 12 | 6 |
Key A | Digi Pad | |||||||
Key B | Analog Pad | |||||||
13 | 7 | Smoky Tines | G2 | Organ | F4 | 63 | 12 | 7 |
Key A | FM Jazz Gt | |||||||
Key B | 73Rd Studio | |||||||
13 | 8 | FM Organ Pad | G2 | Organ | F5 | 63 | 12 | 8 |
Key A | Mystic Pad | |||||||
Key B | FM Bow RM Pad |
Change Split Point for Live Set Sound
YC88/YC73 V1.20
Page | No | Name | Split Point | Section | Voice Name | MSB | LSB | PC |
1 | 5 | Jazz Lead | C3 | Organ | H1 | 63 | 0 | 5 |
Key A | – | |||||||
Key B | – |
YC61 V1.20
Page | No | Name | Split Point | Section | Voice Name | MSB | LSB | PC |
1 | 1 | Jazz Lead | C3 | Organ | H1 | 63 | 0 | 1 |
Key A | – | |||||||
Key B | – |
New Voice
YC88/YC73/YC61 V1.20
Section | Category | Sub Category | No. | Name | Parameter Value(*) |
Organ | – | – | F4 | F4 | 149 |
F5 | F5 | 150 | |||
F6 | F6 | 151 |
New Functions in YC Version 1.10
Yamaha has upgraded the YC firmware, adding the following new functions.
This manual describes additions and changes with respect to the Owner’s Manual that came with your instrument.
- The setting method of vibrato (CC # 1: Modulation) has been changed.
- Operability has been improved.
- New Live Set Sounds have been added.
- New Voices have been added.
Changing the setting method of vibrato (CC # 1: Modulation)
The new “P.Mod” parameter (related to pitch modulation) has been added to pitch modulation in the settings for each Sound section of the Live Set Sound.
The “Modulation Lever” parameters “P.Mod Depth” and “P.Mod Speed,” originally in the “Controllers” of the Live Set Sound have been moved to “P.Mod.”
“P.Mod Initial” has also been added to “P.Mod.”
With the “P.Mod Initial” parameter, the amount of change in P.Mod (CC #1: Modulation) can now be set to a value other than 0 when switching Live Sets.
If you change “P.Mod Initial” to a value other than the initial value (0), the
Comparison of old and new tree diagrams
Improved operability
To call up the Voice list, press and hold or double-click the Voice select switch on the top screen.
When you press the [Enter] button on a screen showing a parameter value, the level in the hierarchy now returns to the previous one. This allows you to set other parameters continuously. Press and hold the [EXIT] button to return to the top screen.
NOTE
When you are in the MENU screen, press the [MENU] button to return to the top screen. When you are in the SETTINGS screen, press the [SETTINGS] button to return to the top screen.
Live Set Sound List
V1.0
YC88
Page | No | Name | SPlit Point |
Section | Voice Name | MSB | LSB | PC |
1 | 1 | Natural CFX | G2 | Organ | 63 | 0 | 1 | |
KeyA | CFX | |||||||
Key B | ||||||||
1 | 2 | Soulful Rd | G2 | Organ | 63 | 0 | 2 | |
KeyA | 78Rd | |||||||
Key B | ||||||||
1 | 3 | FM EP 1 | G2 | Organ | – | 63 | 0 | 3 |
Key A | FM Piano DA | |||||||
Key B | – | |||||||
1 | 4 | FM Lead | G2 | Organ | – | 63 | 0 | 4 |
KeyA | FM Syn Lead 2 | |||||||
Key B | ||||||||
1 | 5 | Jazz Lead | G2 | Organ | H1 | 63 | 0 | Ln |
Key A | – | |||||||
Key B | ||||||||
1 | 6 | Rock Organ 1 | G2 | Organ | H2 | 63 | 0 | 6 |
Key A | ||||||||
Key B | ||||||||
1 | 7 | Gospel Shout! | G2 | Organ | H1 | 63 | 0 | 7 |
Key A | – | |||||||
Key B | ||||||||
1 | 8 | Rex Direct | G2 | Organ | F2 | 63 | 0 | 8 |
Key A | ||||||||
Key B | ||||||||
2 | 1 | One Ear Upright | G2 | Organ | – | 63 | 1 | 1 |
KeyA | U1 | |||||||
Key B | – | |||||||
2 | 2 | 67 Trem EP | G2 | Organ | 63 | 1 | ||
Key A | 67Rd Dark | |||||||
Key B | – | |||||||
2 | 3 | 80s Piano Layer | G2 | Organ | 63 | 1 | ||
KeyA | CFX | |||||||
Key B | FM The EP | |||||||
2 | 4 | Fat OB Brass | G2 | Organ | 63 | 1 | 4 | |
Key A | OB Brass 1 | |||||||
Key B | OB Brass 2 | |||||||
2 | 5 | Jazz Swish | G2 | Organ | H1 | 63 | 1 | 5 |
Key A | – | |||||||
Key B | ||||||||
2 | 6 | Prog 1 | G2 | Organ | H2 | 63 | 1 | 8 |
Key A | ||||||||
Key B | ||||||||
2 | 7 | Gospel Worship | G2 | Organ | H1 | 63 | 1 | 7 |
Key A | – | |||||||
Key B | – | |||||||
2 | 8 | Italian Organ 1 | G2 | Organ | F3 | 63 | 1 | 8 |
Key A | – | |||||||
Key B | – | |||||||
3 | 1 | C7 w/Pad | G2 | Organ | 63 | 1 | ||
KeyA | C7 | |||||||
Key B | Analog Pad | |||||||
3 | 2 | Wr Trem | G2 | Organ | 63 | 2 | 2 | |
KeyA | Wr Bright | |||||||
Key B | – | |||||||
3 | 3 | FM EP+Pad 1 | G2 | Organ | 63 | 2 | 3 | |
KeyA | FM The EP | |||||||
Key B | Lite Strings | |||||||
3 | 4 | Motion Pad | G2 | Organ | – | 63 | 2 | 4 |
Key A | Mystic Pad | |||||||
Key B | Analog Pad | |||||||
3 | 5 | Squabble | G2 | Organ | H1 | 63 | 2 | 5 |
Key A | ||||||||
Key B | ||||||||
3 | 6 | Casino Fire | G2 | Organ | H2 | 63 | 2 | 6 |
Key A | ||||||||
Key B | – |
Page | No | Name | Split Point |
Section | Voice Name | MSB | LSB | PC |
Co | H Split Lc1113a | G2 | Organ | H1 | 63 | 2 | 7 | |
Key A | – | |||||||
Key B | – | |||||||
ce) | 1- | Church | G2 | Organ | Fl | 63 | 2 | 8 |
Key A | ||||||||
Key B |
V1.0
YC73
Page | No | Name | P Soint pilt | Section | Voke Name | MSB | LSB | PC |
1 | 1 | Soulful Rd | G2 | Organ | 1 | 63 | 0 | 1 |
KeyA | 78Rd | |||||||
Key B | ||||||||
1 | 2 | Natural CFX | G2 | Organ | 2 | 63 | 0 | 2 |
KeyA | CFX | |||||||
Key B | ||||||||
1 | 3 | FM EP 1 | G2 | Organ | – | 63 3 |
0 | 3 |
KeyA | FM Piano DA | |||||||
Key B | – | |||||||
1 | 4 | FM Lead | G2 | Organ | – | 63 4 |
0 | 4 |
Key A | FM Syn Lead2 | |||||||
Key B | – | |||||||
1 | 5 | Jazz Lead | G2 | Organ | H1 | 63 | 0 | 5 |
Key A | – | |||||||
Key B | – | |||||||
1 | 6 | Rock Organ 1 | G2 | Organ | H2 | 63 6 |
0 | 6 |
Key A | – | |||||||
Key B | – | |||||||
1 | 7 | Gospel Shout! | G2 | Organ | H1 | 63 | 0 | 7 |
Key A | – | |||||||
Key B | ||||||||
1 | 8 | Rex Direct | G2 | Organ | F2 | 63 8 |
0 | 8 |
Key A | ||||||||
Key B | – | |||||||
2 | 1 | 67 Trem EP | G2 | Organ | – | 63 1 |
1 | 1 |
Key A | 67Rd Dark | |||||||
Key B | – | |||||||
2 | 2 | One Ear Upright | G2 | Organ | 63 | 1 | 2 | |
KeyA | U1 | |||||||
Key B | ||||||||
2 | 3 | 80s Piano Layer | G2 | Organ | 3 | 63 | 1 | 3 |
KeyA | CFX | |||||||
Key B | FM The EP | |||||||
2 | 4 | Fat OB Brass | G2 | Organ | – | 63 4 |
1 | 4 |
KeyA | OB Brass 1 | |||||||
Key B | OB Brass 2 | |||||||
2 | 5 | Jazz Swish | G2 | Organ | I-11 | 63 | 1 | 5 |
Key A | – | |||||||
Key B | ||||||||
2 | 6 | Prog 1 | G2 | Organ | H2 | 63 6 |
1 | 6 |
Key A | ||||||||
Key B | – | |||||||
2 | 7 | Gospel Worship | G2 | Organ | H1 | 63 7 |
1 | 7 |
Key A | – | |||||||
Key B | ||||||||
2 | 8 | Italian Organ 1 | G2 | Organ | F3 | 63 8 |
1 | 8 |
Key A | ||||||||
Key B | – | |||||||
3 | 1 | Wr Trem | G2 | Organ | – | 63 1 |
2 | 1 |
KeyA | Wr Bright | |||||||
Key B | – | |||||||
3 | 2 | C7 w/Pad | G2 | Organ | 2 | 63 | 2 | 2 |
KeyA | C7 | |||||||
Key B | Analog Pad | |||||||
3 | 3 | FM EP+Pad 1 | G2 | Organ | – | 63 3 |
2 | 3 |
KeyA | FM The EP | |||||||
Key B | Lite Strings | |||||||
3 | 4 | Motion Pad | G2 | Organ | – | 63 4 |
2 | 4 |
KeyA | Mystic Pad | |||||||
Key B | Analog Pad | |||||||
3 | 5 | Squabble | G2 | Organ | H1 | 63 5 |
2 | 5 |
KeyA | – | |||||||
Key B | ||||||||
3 | 6 | Casino Fire | G2 | Organ | H2 | 63 6 |
2 | 6 |
Key A | ||||||||
Key B | – |
Page | No | Name | Split Point |
Section | voice Name | MSB | LSB | PC |
3 | 7 | H Split LdiBa | G2 | Organ | 1-11 | 63 | 2 | 7 |
Key A | ||||||||
Key B | ||||||||
Church | G2 | Organ | Fl | 63 | 2 | 8 | ||
Key A | ||||||||
Key B |
V1.0
YC61
Page | No | Name | Split Point |
Section | Voice Name | MSB | LSB | PC |
1 | 1 | Jazz Lead | G2 | Organ | H1 | 63 | 0 | 1 |
KeyA | – | |||||||
Key B | ||||||||
1 | 2 | Rock Organ 1 | G2 | Organ | H2 | 63 | 0 | 2 |
Key A | ||||||||
Key B | – | |||||||
1 | 3 | Gospel Shout! | G2 | O Organ | H1 | 63 | 0 | 3 |
KeyA | – | |||||||
Key B | ||||||||
1 | 4 | Rex Direct | G2 | Organ | F2 | 63 4 |
0 | 4 |
KeyA | ||||||||
Key B | – | |||||||
1 | 5 | Soulful Rd | G2 | Organ | 63 | 0 | 5 | |
KeyA | 78Rd | |||||||
Key B | ||||||||
1 | 6 | Natural CFX | G2 | Organ | 6 | 63 | 0 | 6 |
KeyA | CFX | |||||||
Key B | ||||||||
1 | 7 | FM EP 1 | G2 | Organ | – | 63 | 0 | 7 |
Key A | FM Piano DA | |||||||
Key B | – | |||||||
1 | 8 | FM Lead | G2 | Organ | 8 | 63 | 0 | 8 |
KeyA | FM Syn Lead 2 | |||||||
Key B | ||||||||
2 | 1 | Jazz Swish | G2 | Organ | H1 | 63 | 1 | 1 |
KeyA | ||||||||
Key B | ||||||||
2 | 2 | Prog 1 | G2 | Organ | H2 | 63 | 1 | 2 |
KeyA | ||||||||
Key B | – | |||||||
2 | 3 | Gospel Worship | G2 | Organ | H1 | 63 | 3 | |
KeyA | – | |||||||
Key B | ||||||||
2 | 4 | Italian Organ 1 | G2 | Organ | F3 | 63 | 1 | 4 |
Key A | ||||||||
Key B | – | |||||||
2 | 5 | 67 Trem EP | G2 | Organ | 63 | 5 | ||
KeyA | 67Rd Dark | |||||||
Key B | ||||||||
2 | 6 | One Ear Upright | G2 | Organ | 63 | 6 | ||
KeyA | U1 | |||||||
Key B | ||||||||
2 | 7 | 80s Piano Layer | G2 | Organ | 63 | 1 | 7 | |
KeyA | CFX | |||||||
KeyB | FM The EP | |||||||
2 | 8 | Fat OB Brass | G2 | Organ | 63 | 1 | 8 | |
KeyA | OB Brass 1 | |||||||
KeyB | OB Brass 2 | |||||||
3 | 1 | Squabble | G2 | Organ | H1 | 63 | 2 | 1 |
Key A | ||||||||
Key B | ||||||||
3 | 2 | Casino Fire | G2 | Organ | H2 | 63 | (N | |
KeyA | ||||||||
Key B | ||||||||
3 | 3 | H Split Ld/Ba | G2 | Organ | H1 | 63 | 1 | 3 |
Key A | ||||||||
Key B | ||||||||
3 | 4 | Church | G2 | Organ | F1 | 63 | 4 | |
KeyA | ||||||||
Key B | – | |||||||
3 | 5 | Wr Trem | G2 | Organ | – | 63 | 2 | 5 |
Key A | Wr Bright | |||||||
Key B | – | |||||||
3 | 6 | C7 w/Pad | G2 | Organ | 63 | 2 | 6 | |
KeyA | C7 | |||||||
KeyB | Analog Pad |
I Page | No | Name | Split Point | Section | Voice Name | MSB | LSB | PC |
3 | 7 | FM EP+Pad 1 | G2 | Organ | – | 63 | 2 | 7 |
Key A | FM The EP | |||||||
Key B | Lite Strings | |||||||
3 | 8 | Motion Pad | G2 | Organ | – | 63 | 2 | 8 |
Key A | Mystic Pad | |||||||
Key B | Analog Pad |
V1.0
YC88/YC73/YC61
Page | No | Name | SPI It
Poi m |
Section | Voice Name | MSB | LSB | PC |
4 | 1 | Clean Amp | G2 | Organ | H3 | 63 | 3 | 1 |
Key A | ||||||||
Key B | ||||||||
4 | 2 | H Split Ld/Chd | C3 | Organ | H1 | 63 | 3 | 2 |
KeyA | ||||||||
KeyB | ||||||||
4 | 3 | F1 Jazz | G2 | Organ | Fl | 63 | 3 | 3 |
Key A | ||||||||
Key B | ||||||||
4 | 4 | Rex Rotary | G2 | Organ | F2 | 63 | 3 | 4 |
KeyA | ||||||||
Key B | ||||||||
4 | 5 | Rex Amp | G2 | Organ | F2 | 63 | 3 | 5 |
KeyA | ||||||||
Key B | ||||||||
4 | 6 | Italian Organ 2 | G2 | Organ | F3 | 63 | 3 | 6 |
Key A | ||||||||
Key B | ||||||||
4 | 7 | Italian Organ 3 | G2 | Organ | F3 | 63 | 3 | 7 |
Key A | ||||||||
Key B | ||||||||
4 | 8 | F21 RdBa | G2 | Organ | F2 | 63 | 3 | 8 |
KeyA | 78Rd | |||||||
KeyB | ||||||||
5 | 1 | CFX Bright | G2 | Organ | 63 | 4 | 1 | |
KeyA | CFX | |||||||
Key B | ||||||||
5 | 2 | C7 | G2 | Organ | 63 | 4 | 2 | |
KeyA | C7 | |||||||
Key B | ||||||||
5 | 3 | 70’s C7 | G2 | Organ | 63 | 4 | 3 | |
KeyA | C7 | |||||||
Key B | ||||||||
5 | 4 | Showbiz Upright | G2 | Organ | 63 | 4 | 4 | |
KeyA | U1 | |||||||
Key B | ||||||||
5 | 5 | AP+Strings | G2 | Organ | 63 | 4 | 5 | |
KeyA | CFX | |||||||
Key B | Fast Strings | |||||||
5 | 6 | Bass Stays Home | G2 | Organ | 63 | 4 | 6 | |
KeyA | Upright Bass | |||||||
KeyB | C7 | |||||||
5 | 7 | 78Rd Chorus | G2 | Organ | 63 | 4 | 7 | |
KeyA | 78Rd | |||||||
Key B | ||||||||
5 | 8 | 67Rd Overdrive | G2 | Organ | 63 | 4 | 8 | |
KeyA | 67Rd Bright | |||||||
Key B | ||||||||
6 | 1 | Wr Dist | G2 | Organ | 63 | 5 | 1 | |
KeyA | Wr Warm | |||||||
Key B | ||||||||
6 | 2 | FM EP2 | G2 | Organ | 63 | 5 | 2 | |
KeyA | FM The EP | |||||||
Key B | ||||||||
6 | 3 | FM EP 3 | G2 | Organ | 63 | 5 | 3 | |
KeyA | FM Pfs Heart | |||||||
KeyB | ||||||||
6 | 4 | FM EP 4 | G2 | Organ | 63 | 5 | 4 | |
KeyA | FM Urban EP | |||||||
KeyB | FM DX EP | |||||||
6 | 5 | FM EP 5 | G2 | Organ | 63 | 5 | 5 | |
KeyA | FM The EP | |||||||
KeyB | FM DX Road | |||||||
6 | 6 | Magic Piano | G2 | Organ | 63 | 5 | 6 | |
KeyA | 67Rd Dark | |||||||
Key B | FM Pfs Heart |
Page | No | Name | Split Point |
Section | Voice Name | MSB | LSB | PC |
6 | 7 | 80s Soundtrack | G2 | Organ | 63 | 5 | 7 | |
KeyA | 78Rd | |||||||
Key B | Analog Pad | |||||||
c0 | 8 | FM EP+Pad 2 | G2 | Organ | – | 63 | 8 | |
KeyA | FM PPS Heart | |||||||
KeyB | Analog Pad | |||||||
7 | 1 | Swell Backgmd | C3 | Organ | – | 63 | 1 | |
KeyA | FM Saw Pad | |||||||
Key B | 67Rd Dark | |||||||
7 | 2 | Bass and 73Rd | G2 | Organ | 63 | 2 | ||
Key A | Finger Bass | |||||||
KeyB | 73Rd | |||||||
7 | 3 | Analog Pad | G2 | O Organ | 63 | 3 | ||
KeyA | Analog Pad | |||||||
KeyB | Noble Pad | |||||||
7 | 4 | Fat Pad | G2 | Organ | – | 63 4 |
0 | 4 |
KeyA | JP Strings | |||||||
Key B | Analog Pad | |||||||
7 | 5 | Massive FM | G2 | Organ | – | 63 | 6 | 5 |
KeyA | FM Saw Pad | |||||||
Key B | FM BellSquare | |||||||
7 | 6 | Smooth Strings | G2 | Organ | – | 63 | 6 | 6 |
Key A | FM Syn Str | |||||||
KeyB | JP Strings | |||||||
7 | 7 | Stringy Octaves | G2 | Organ | – | 63 | 6 | 7 |
KeyA | Oct Syn Str | |||||||
KeyB | Unison Str | |||||||
7 | 8 | Synth Brass | G2 | Organ | 63 | 6 | 8 | |
KeyA | SynthBrassl | |||||||
KeyB | SynthBrass4 | |||||||
8 | 1 | Analog Lead | G2 | Organ | 63 | 7 | 1 | |
KeyA | Classic Mini | |||||||
Key B | ||||||||
8 | 2 | Expressive Lead | G2 | Organ | – | 63 | 7 | 2 |
KeyA | Sine Lead | |||||||
Key B | Classic Mini | |||||||
8 | 3 | Monster Lead | G2 | Organ | – | 63 | 7 | 3 |
KeyA | FM SynLead1 | |||||||
Key B | FM SynLead2 | |||||||
8 | 4 | Ep/Lead Split 1 | G2 | Organ O | – | 63 | 7 | 4 |
KeyA | 73Rd | |||||||
Key B | Soft Square | |||||||
8 | 5 | Ep/Lead Split 2 | G2 | O Organ | – | 63 | 7 | 5 |
KeyA | FM DX EP | |||||||
KeyB | Mini Lead | |||||||
8 | 6 | Pad/Lead | G2 | Organ | 63 | 7 | 6 | |
KeyA | Analog Pad | |||||||
KeyB | Funky Mini | |||||||
8 | 7 | Icy Split | C3 | Organ | 63 | 7 | 7 | |
KeyA | Digi Pad | |||||||
KeyB | Mini Lead | |||||||
8 | 8 | Sticky Bass | G2 | Organ | – | 63 | 7 | 8 |
KeyA | 101 Bass | |||||||
KeyB | Analog Bass | |||||||
9 | 1 | Aggressive Bass | G2 | Organ | – | 63 | 8 | 1 |
KeyA | 101 Bass | |||||||
KeyB | Analog Bass | |||||||
9 | 2 | Dual Bass | G2 | Organ | – | 63 | 8 | 2 |
KeyA | FM Saw Pad | |||||||
KeyB | Unison Bass | |||||||
9 | 3 | FM Harmonic Ba | G2 | Organ | – | 63 | 8 | 3 |
KeyA | Mini Sub Bass | |||||||
KeyB | FM Tear Bass | |||||||
9 | 4 | Syn Bell 1 | G2 | Organ | – | 63 | 8 | 4 |
KeyA | Heaven Bell | |||||||
Key B | – |
Page | No | Name | Split Point |
Section | Voice Name | MSB | LSB | PC |
9 | 5 | Syn Bell 2 | G2 | Organ g |
63 | 8 | 5 | |
Key A | Far Away FM | |||||||
Key B | ||||||||
9 | 6 | Concerto Goldo | G2 | Organ | 63 | 8 | 6 | |
Key A | Slow Strings | |||||||
Key B | Violin | |||||||
9 | 7 | String Ensemble | G2 | Organ | 63 | 8 | 7 | |
Key A | Fast Strings | |||||||
Key B | Violin | |||||||
9 | 8 | Big Fanfare | G2 | Organ | 63 | 8 | 8 | |
Key A | Marcato Str | |||||||
KeyB | Brass 3 | |||||||
10 | 1 | Classic Gt. | G2 | Organ | 63 | 9 | 1 | |
Key A | Classic Gt | |||||||
Key B | ||||||||
10 | 2 | Steel Gt. | G2 | Organ | 63 | 9 | 2 | |
Key A | Steel Gt | |||||||
Key B | ||||||||
10 | 3 | Clean Gt. | G2 | Organ | 3 | 63 | 9 | 3 |
Key A | Clean Gt 1 | |||||||
Key B | ||||||||
10 | 4 | Brass Section | G2 | Organ | – | 63 | 9 | 4 |
Key A | Brass 1 | |||||||
Key B | – | |||||||
10 | 5 | Brass w/Sax | G2 | Organ | – | 63 | 9 | 5 |
Key A | Brass 1 | |||||||
KeyB | Brass 2 | |||||||
10 | 6 | Upright Bass | G2 | Organ | 63 | 9 | 6 | |
Key A | Upright Bass | |||||||
Key B | ||||||||
10 | 7 | Fingered Bass | G2 | Organ | – | 63 | 9 | 7 |
Key A | Finger Bass | |||||||
Key B | – | |||||||
10 | 8 | Slap Bass | G2 | Organ | – | 63 | 9 | 8 |
Key A | Slap Bass | |||||||
Key B | – |
Additional new Live Set Sounds
YC88/YC73/YC61 V1.10
Page | No | Name | Split Point |
Section | Voice Name | MSB | LSB | PC |
11 | 1 | Nashville C3 | G2 | Organ | 1 | 63 | 10 | 1 |
Key A | Nashville C3 | |||||||
Key B | – | |||||||
11 | 2 | Early 80s Layer | G2 | Organ | – | 63 2 |
10 | 2 |
Key A | Nashville C3 | |||||||
Key B | 74Rd Stage | |||||||
11 | 3 | Live CF3 | G2 | Organ | 3 | 63 | 10 | 3 |
Key A | Live CF3 | |||||||
Key B | ||||||||
11 | 4 | BigCF+Pad | G2 | Organ | 4 | 63 | 10 | 4 |
Key A | Live CF3 | |||||||
Key B | Analog Pad | |||||||
11 | 5 | 73Rd Studio | G2 | Organ | 5 | 63 | 10 | 5 |
Key A | 73Rd Studio | |||||||
Key B | – | |||||||
11 | 6 | Ballad Rd Layer | G2 | Organ | 6 | 63 | 10 | 6 |
Key A | 73Rd Studio | |||||||
Key B | FM Pfs Heart | |||||||
11 | 7 | 74Rd Stage | G2 | Organ | – | 63 7 |
10 | 7 |
Key A | 74Rd Stage | |||||||
Key B | – | |||||||
11 | 8 | Rotating EP | G2 | Organ | – | 63 8 |
10 | 8 |
Key A | 74Rd Stage | |||||||
Key B | – |
Voice List
V1.0
YC88/YC73/YC61
Section | Category | Sub C a t egory |
No. |